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KALEIDOSCOPE: HUMRA QURASHI’S BOOK IS A WAKE UP CALL

Humra Quraishi’s book, The Diary of Gull Mohammad - A Kashmiri Muslim boy’s journey from Kashmir to Kerala, is an eyeopener. Once i...

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INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR

In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...

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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

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HYPOCRISY AND DOUBLE STANDARDS ARE DESTRUCTIVE

Humra Quraishi elaborates on the double standards of the right-wing government in India, and warns that what is taught in scho...

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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

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THE COURAGE AND CONVICTION OF SAIF HYDER HASAN

After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...

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SEEN ROMANTIC LOVE IN B-TOWN, ANY ONE?

It has been said that the history of cinema is also a history of exciting, adventurous and celebrated love affairs. Dead right. And for excelle...

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ACHIEVING CULT STATUS: MASSEY SAHIB

O.P. Srivastav brings Raghubir Yadav and Arundhati Roy's celebrated debut Massey Sahib, a 1985 Hindi drama, adaptation of Joyc...

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THE MADRAS MUSIC FESTIVAL: BREAKING OUT OF THE VIRTUAL

Much has been discoursed about this Margazhi festival, from its sustenance over a century, to its inadequacies in inclusivity and outreach, wri...

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MAKE NOTE, EVERYONE’S SUSPECT

Humra Quraishi writes this in the backdrop of last month’s brutal killing and grievou...

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